Sunday, 31 July 2011

Types of Profile Pictures tips for good Facebook profile picture Using Your Face to Dig Deeper

Facebook Know-how

Lara Solomon is the founder of Mocks, mobile phone socks , founder of Social Rabbit - your guide in the world of social media and author of 'Brand New Day – the Highs & Lows of Starting a Small Business'. Lara's business LaRoo was the winner of the NSW Telstra Micro-Business Award in 2008.

A couple of weeks ago I looked at what makes a good Facebook page welcome tab, so I thought I would follow that up by looking at the profile picture.

Your page profile picture is the image on the left side of your page and always stays there no matter which tab your visitors click on.

Facts on the profile picture:

  • The space you have available is 540 pixels long by 180 pixels wide (of you aren’t sure what this is Facebook will automatically resize what you load up).
  • You can change it as often as you like.
  • The thumbnail for your page (that’s the little picture that appears next to your page posts in peoples’ newsfeeds and on the wall) is made from your profile picture.
  • Every profile picture you upload automatically goes into a photo album called “profile pictures”.

Tips for a good picture:

  • Make it eye-catching.
  • Simple and clear is better than packing lots in – people shouldn’t need to squint to read things or see what it is in the image.
  • Make it relevant, that means if your page is about a product include the product, if your page is about a service-based business show relevant happy customers or the service in action.
  • Include your logo so that people know when they first visit that they have the right page – particularly relevant if you don’t have a welcome tab.
  • If you include a phone number also include the area code, visitors might not realise you are in a different state to them.
  • Make sure it matches the rest of your business’ branding, eg. if your business colours are red and pink, don’t use blue and green, etc.
  • If you have a product-based business use it as a place to showcase your products and change it regularly so that people see the range you have. This worked really well on my Mocks page, and when we changed the picture people would ask, “Where do I buy that design?”
  • If you have the photos tab showing on your page after you load up a new profile picture go and add a description – this is particularly relevant if you are promoting a product because you can add a link to where it can be bought.
  • Get topical, eg. Christmas is around the corner, get a festive picture for the season.

I see some profile pictures that are really wasting what is prime real estate in the Facebook world, because your profile picture becomes your thumbnail and that’s what people see when they search – it’s all about first impressions and making it easy for people to find you. Have a really good look at yours; does it tell someone at a glance what you are all about or are they screwing their eyes up trying to read it?

Lara Solomon is the founder of Mocks, mobile phone socks , founder of Social Rabbit - your guide in the world of social media author of 'Brand New Day – the Highs & Lows of Starting a Small Business'. Lara's business LaRoo was the winner of the NSW Telstra Micro-Business Award in 2008.

Using Your Face to Dig Deeper

As Internet giants Facebook Inc. and Google Inc. race to expand their facial-recognition abilities, new research shows how powerful, and potentially detrimental to privacy, these tools have become.

Armed with nothing but a snapshot, researchers at Carnegie Mellon University in Pittsburgh successfully identified about one-third of the people they tested, using a powerful facial-recognition technology recently acquired by Google.

Prof. Alessandro Acquisti, the study's author, also found that about 27% of the time, using data gleaned from Facebook profiles of the subjects he identified, he could correctly predict the first five digits of their Social Security numbers.

The research demonstrates the potentially intrusive power of a facial-recognition technology, when combined with publicly available personal data. The study was funded largely by a grant from the National Science Foundation, with smaller sums from Carnegie Mellon and the U.S. Army.

Paul Ohm, a law professor at University of Colorado Law School, who has read Prof. Acquisti's paper, said it shows how easy it is becoming to "re-identify" people from bits of supposedly anonymous information. "This paper really establishes that re-identification is much easier than experts think it's going to be," he said.

For his study, Prof. Acquisti used a webcam to take pictures of student volunteers, then used off-the-shelf facial-recognition software to match the students' faces with those in publicly available Facebook photos. "We call it the democratization of surveillance," he said.

The professor said the study also shows how Facebook, with its 750 million users, whose names and profile photos are automatically public, is becoming a de facto identity-verification service.

A Facebook spokesman said that Facebook profiles don't always contain pictures of people's faces. Users can choose whether "to upload a profile picture, what that picture is of, when to delete that picture," he said.

Google Chairman Eric Schmidt discussed his concerns about Facebook at the D: All Things Digital conference in June.

Facebook is "the first generally available way of disambiguating identity," he said. "Historically, on the Internet such a fundamental service wouldn't be owned by a single company. …I think the industry would benefit from an alternative to that."

Google has been racing to create a rival social-networking service. In June, it launched Google+ to compete with Facebook. In July, Google acquired Pittsburgh Pattern Recognition, or PittPatt, the facial-recognition technology that was used in the Carnegie Mellon study.

Facebook rolled out its facial-recognition service world-wide in June. The service lets people automatically identify photos of their friends. Facebook users who don't want to be automatically identified in photos must change their privacy settings.

A Google spokesman said the company won't introduce facial-recognition technology "to our apps or product features" without putting strong privacy protections in place. At the D conference, Mr. Schmidt said Google had withdrawn a facial-recognition service for mobile phones that it considered too intrusive.

The race to acquire facial-recognition technology reflects the technology's sharp improvement in recent years. The number of matching photos that were incorrectly rejected by state-of-the-art recognition technology declined to 0.29% in 2010 from 79% in 1993, according to a study by the National Institutes of Standards and Technology.

"It's certainly not science fiction anymore," said Peter N. Belhumeur, professor of computer science at Columbia University.

One big reason for the leap forward: the wide availability of photos that people have uploaded to the Internet through social-networking sites. Previously, publicly available pictures of individuals were mostly limited to driver's-license photos, school portraits or criminal mug shots, all of which were difficult to obtain.

In the Carnegie Mellon study, 93 students agreed to be photographed using a web camera attached to a laptop. The shots were immediately uploaded to a cloud computer and compared with a database of 261,262 publicly available photos downloaded from Carnegie Mellon students' Facebook profiles.

In less than three seconds, the system found 10 possible matching photos in the Facebook database. The students confirmed their face was among the top results more than 30% of the time.

Prof. Acquisti said the research "suggests that the identity of about one-third of subjects walking by the campus building may be inferred in a few seconds combining social-network data, cloud computing and an inexpensive webcam."

He then tried to discover whether he could predict sensitive information from the Facebook profile of individuals he had identified. He exploited the fact that, after 1987, the Social Security Administration started assigning Social Security numbers in a way that inadvertently made it easier to predict them based on the person's birthdate


Drawing from knowledge of the Social Security numbering system used in a previous experiment, Prof. Acquisti was able to predict the first five digits of the subject's nine-digit Social Security numbers 27% of the time, with just four attempts. "The chain of inferences comes from one single piece of anonymous information—somebody's face."

The last four digits of the number also are predictable: In a 2009 paper, Prof. Acquisti showed that he could predict an entire Social Security number with fewer than 1,000 attempts for close to 10% of people born after 1988.

In June, the Social Security agency launched a new "randomized" numbering system, which will make such predictions more difficult for future generations. An agency spokesman said that even under the old system "there is no foolproof method for predicting a person's Social Security number."

As a demonstration of his latest project, Prof. Acquisti also built a mobile-phone app that takes pictures of people and overlays on the picture a prediction of the subject's name and Social Security number. He said he won't release the app, but that he wanted to showcase the power of the data that can be generated from a single photo.

12 Types of Profile Pictures

It’s the first thing you see on somebody’s profile – the profile picture. With people changing their profile pictures more often every year, you have to wonder, what kind of pictures are people putting up? In years of facebook-ing [read: Facebook Stalking] I have found there are 12 types of profile pictures that you are bound to run into in a quick browse of your own network:

The Relationship Picture

About the same level as going Facebook Official (FBO), the relationship picture is you telling the entire facebook community “Yeah, I’m taken.” Occasionally graduates into the even cutsier “Just Married” picture.

The Mac Picture

You typically see this photo when someone first gets a MacBook. It’s the Andy Warhol photo, or the photo with someone being pinched in the background, or mirrored on the other half. Otherwise known as the “iPicture.”

The Self Take

Also known as the i-look-too-good-right-now-to-not-have-anyone-taking-a-photo-of-me shot. Often seen as “the mirror shot,” where the flash or the camera covers the photo takers face, but their Jersey Shore level six pack is still crystal clear. We could also call this the “myspace shot.”

The I Love My Friends! Photo

This is most common with girls – most often seen in a large group making it impossible to tell whose profile you are actually looking at. Usually comes with a caption like “<3 forever!” or “me and my best girls!” Otherwise known as the “Where’s Waldo” picture.

The I Love My Friends But I Love Myself More! Photo

This is the photo of the girl who crops everyone else out of the group photo. Also known as the “ignore the half of a face on the top corner of the picture and redirect your focus on me” picture.

The Artsy Photo

This one can come in a tree, with a guitar, or in a field – but it always has one thing in common, the user isn’t smiling. And most often they’re not looking at the camera. Often known as the “abstract angle and weird lighting” picture.

The Cartoon Picture

And then there’s the picture that isn’t actually you. People put them up because they really love the cartoon character, or because it reminds them of them. Also known as the “No, really, what do you look like?” picture.

The Childhood Picture

Whether it’s when they were a baby, or as a toddler wearing some type of odd clothing, this one is a classic. Typically accompanied by the comment “omg you WERE so cute, lol!” Otherwise known as the “I wish he had grown out of that haircut” picture.

The Business Picture

This picture sticks to the original informative purpose of the profile picture. It’s the virtual version of telling your network, you’re on facebook, but you have a life outside of it. Also known as the “You know what I look like, what more do you want?” picture.

The Tourist Picture

Typically seen right after someone goes on vacation – usually in front of a notable landmark like the Eiffel tower or the pyramids. Also known as the “I’m worldly and having fun, jealous?” picture.

The How Great Are My Genes Picture

The successor to the “Just Married” shot, this picture is often seen of the adorable newborn sleeping in a blanket or curled up in someone’s arms. Also known as the “He looks just like me…right?!” picture.

The My Pet is Cuter Than Yours Picture

This is the picture of your dog, cat, or parrot catching a Frisbee, sleeping or just generally being cute. Also known as the “So have you just not shaved in a while…?” picture
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Harry Potter Stirrup Queens Harry Potter Birthday Celebration Contests and Programme 2011 Happy Birthday Harry Potter Happy Birthday J.K. Rowling

Harry Potter Stirrup Queens Harry Potter Birthday Celebration Contests and Programme 2011
');  JK Rowling may be a muggle, but her ability to write 7 page-turning Harry Potter novels is that of a wizard. At only 46 years old, she's one of the richest women in the world. Get all the details at Astrology.com! Happybirthday, JK Rowlin

Harry Potter turns 31 today. He was luckily born the same year as my brother, which is also a nice round year on the calendar, so it’s easy to keep his age straight (thank you, Ms. Rowling). Which means that the great battle took place in June of 1997.

I wonder if he had a birthday party that year. I mean, despite the good that came from that, his world was also shattered with all the loss; with what he witnessed. I wonder if he felt like digging into some chocolate cake a few weeks after that fight.

Which made me think about where I was on Harry Potter’s birthday back in 1997; what was happening in my life as he was recovering from battling Voldemort.

I was living in Massachusetts, working at a camp where I taught art. I lived in a co-op for free in exchange for being the handywoman/point person. My grandfather died, and I was heartbroken. I stopped weeding our co-op’s garden and the strawberries overtook the plot of land. I had just completed my translation project for graduate school. I had a crush on a boy named Pete, but we would have been terrible together, so we didn’t date. I babysat a lot. Dave Matthew’s video for “Crash” seemed to always be playing when I turned on MTV. I ate vegetable sandwiches pretty much for every single meal that summer so I must have also had three on his birthday.

A really ordinary life. You juxtapose that with the birthday Harry Potter must have been having. Were people lining up to give him presents, grateful for all that he did for them? Was Ms.Weasley holding up her hand and saying, “I know it’s your birthday, Harry, but my heart just isn’t capable of whipping up a cake and streamers for you just now
Click Full Post.............

Hindi Movie-Thank you Part 1 Thank You 2011 Bollywood romantic comedy film Slapstick comedy with intermittent humour Small glimpse of the Movie2011

Hindi Movie - Thank you Part 1


Small glimpse of the Movie

Thank You (Hindi: थैंक यू) is a 2011 Bollywood romantic comedy film directed by Anees Bazmee and produced by UTV Motion Pictures. It features Akshay Kumar, Bobby Deol, Sonam Kapoor, Suniel Shetty, Irrfan Khan, Celina Jaitley and Rimi Sen. The film was released on April 8, 2011. Thank You is about three married men trying to have some fun outside their marriage. Akshay Kumar plays a detective who specializes in extra-marital relationships. Most of the scenes in this film were shot in Vancouver and Toronto, Canada and Bangkok. Other Bollywood films which have focused around a similar concept are Masti, No Entry, Shaadi No. 1 and to a certain extent, Do Knot Disturb.

With Universal, Comcast hopes to make a big splash in movies

By Bob Fernandez

Inquirer Staff Writer

NEW YORK - As big banner ads in Times Square last week hyped Universal's hoped-for blockbuster Cowboys & Aliens, the movie studio's parent company, NBCUniversal, held a screening of the western sci-fi thriller at its private theater near Rockefeller Center.

There were wine and soda and hors d'oeuvres trays, and company officials billed the event as a thank-you for about two dozen reporters who cover

Hindi Movie - Thank you Part 1

NBCU. There was another message for the gathered media - that the famed Universal Pictures movie studio that had fallen on hard times in recent years is on a hot streak under its new owner, Comcast Corp.

With a surprising run of hits since April, Universal has moved to third in U.S. market share of box-office receipts this year after, as one insider called it, "a really bad run" in 2009 and ranking sixth of the eight largest U.S. studios for 2010.

A committed management team is responsible for these recent hit movies and several projects in the Universal pipeline that are being closely watched by Hollywood insiders as potential heavy hitters - among them, an animated version of the Dr. Seuss story The Lorax and Battleship, based on the Hasbro game, both set for release in 2012.

"They have reestablished their prominence as a movie house that can produce broad, crowd-pleasing entertainment," said Craig Detweiler, director of the Center for Entertainment, Media and Culture at Pepperdine University.

"It's a hit-driven business, so it is always impossible to predict. It's always a gamble. And you have to have patience for your bets to pay off."

Comcast, the Philadelphia cable company, acquired the Hollywood movie studio through its megadeal for NBCUniversal, the owner of cable channels and the NBC TV network. When the deal closed in January, many observers assumed that Comcast would not be interested in a sixth-ranked movie studio.

But Comcast said it was devoted to the film business and wooed Hollywood. In early May, Comcast chief executive officer Brian Roberts publicly courted film great Steven Spielberg with a fund-raising dinner in Philadelphia for Spielberg's Shoah Foundation, which records the memories of Holocaust survivors. Roberts has said he hopes he can persuade Spielberg to return to Universal.

A month later, Comcast agreed to pay $1 billion for a 50 percent stake in the Universal theme park in Florida - a business closely tied to films and Spielberg - that it did not already own.

The swift turnaround at Universal, though, cannot be attributed solely to the cable company.

Facing deepening financial losses under General Electric Co. in 2009, a new leadership team of Adam Fogelson, Donna Langley, and Rick Finkelstein was appointed to head Universal's moviemaking operation. This year's crop of movies, which includes one clunker, The Dilemma, is the first of their projects.

The movie operation reports to Ron Meyer, the president and chief operating officer of Universal Studios, which includes the movie business and the theme parks. Meyer's employment contract at Universal, set to expire in 2012, was recently extended to late 2015.

Some analysts say Universal's problems stemmed in part from GE's insistence on profit growth, forcing Universal to take big risks on movie projects with the hopes of earning big profits to replace revenue lost through lower DVD sales.

The new management team has tightened decision-making around movie projects. A movie has to satisfy three criteria before it receives an OK: Can it be great? Does it have an identifiable audience? Is there a rational business plan attached to the project? Meaning: Do potential profits exceed potential losses based on the past experiences with films of a similar genre?

Perhaps the most surprising of Universal's hit films this year has been Bridesmaids, an R-rated woman-centric comedy that has tallied $240 million in global sales since mid-May, easily covering production costs of $32.5 million.

Also profitable has been the fifth installment of the Fast and Furious movies. It has generated $603 million worldwide since late April - after costing about $125 million to produce. Realizing there was more horsepower in the franchise, Universal was quick to slate a sixth Fast and Furious. It is scheduled for release in 2013.

Then there's Cowboys & Aliens, starring Harrison Ford and Daniel Craig. It cost $163 million to produce. Universal has only a 25 percent financial stake, which will limit its exposure to either a flop or a blockbuster.

Connected with two of the biggest names in Hollywood, Steven Spielberg and Ron Howard, the two-hour movie opened Friday to mixed reviews. Universal's partners are DreamWorks and Paramount.

The movie's story line is one of evil aliens mining for gold out West and a cowboy determined to avenge the death of his wife - at the hands of those aliens. There are gunplay, humor, Indians, special effects, and a Hollywood-style happy ending. The studio hopes for an opening weekend with receipts around $40 million.

New corporate owners have regularly fallen in love with Hollywood studios, only to be disenchanted when profits did not materialize or they found movie audiences too fickle for their liking.

So far Hollywood has been pleasantly surprised with Comcast, but time will tell how committed the cable company is to the movie business, Detweiler said.

"Comcast has given a clear signal to the talent in Hollywood that Universal is an attractive place to bring your project," he said. "And in a town like Hollywood, built on relationships, that is an important message to communicate."

More from Thank You
Trailer
Photogallery
Photogallery
Official Website
Official Websi
Slapstick comedy with intermittent humour

Story: Bobby Deol, Suniel Shetty and Irrfan Khan are a trio of philandering husbands who don't think twice before being unfaithful to their wives, Sonam Kapoor, Celina Jaitley and Rimmi Sen. Enter marriage therapist, Akshay Kumar, who is determined to teach them a lesson and bring them back to the happy family fold.
Best Reader's Review
its a really very entertaining movie i saw after very long time. one must watch it as it ...Read more rohit shetty (GOLMAL 1, 2, 3) (mumbai)

Movie Review : Anees Bazmee seems to be re-visiting familiar terrain with his new film. Thank You is heavily inspired by his earlier comic caper, No Entry, where Salman Khan had the onerous task of curing a motley group of errant husbands from their chronic infidelity. This time, it is Akshay Kumar who wields the baton -- or is it the flute -- to underscore the sanctity of the institution of marriage. Is this a case of playing safe for the director who has recently burned his hands at the box office or is it a drought of story ideas that seems to be Bollywood's biggest scourge?

Repetition notwithstanding, Thank You ends up as timepass fare, although it isn't as rollicking as No Entry. The first half of the film seems to be an exercise in nothingness and has you fidgeting in your seat as you try to look for the rare laughs in a script that is supposed to be funny. The bit-on-the-side sequences of the three husbands are hardly hilarious nor does the fuming wives club set the screen ablaze with hysteria. It is only in the second half that the film acquires form and substance and has you grinning at certain goof-ups. Akshay Kumar's elaborate plans to set the three marriages straight provides scope for actors like Irrfan Khan and Suneil Shetty to kick up a bit of fun, although Bobby Deol has hardly any humour tailored into his role. By and large, he remains dour and angry as he begins to suspect his sweet wife Sonam of adultery. The girls, on their part, mostly remain cosmetic with Sonam looking terribly out of sync, Rimmi not being allowed to play her feisty self and Celina being forced to do the disappearing act for a large part of the film.

So what's funny about Thank You? It's the guys who reiterate the worn-out cliche that fidelity isn't an intrinsic part of male physiology. Add to this the high production values -- glitzy locales, jazzy styling -- and Pritam's pop numbers and you have a film that can be an average weekend getaway. Nothing more, not even Mallika Sherawat's item number.
Click Full Post.............

Thank You 2011 Bollywood romantic comedy film Slapstick comedy with intermittent humour Small glimpse of the Movie Hindi Movie-Thank you Part 1

Hindi Movie - Thank you Part 1


Small glimpse of the Movie:

Thank You (Hindi: थैंक यू) is a 2011 Bollywood romantic comedy film directed by Anees Bazmee and produced by UTV Motion Pictures. It features Akshay Kumar, Bobby Deol, Sonam Kapoor, Suniel Shetty, Irrfan Khan, Celina Jaitley and Rimi Sen. The film was released on April 8, 2011. Thank You is about three married men trying to have some fun outside their marriage. Akshay Kumar plays a detective who specializes in extra-marital relationships. Most of the scenes in this film were shot in Vancouver and Toronto, Canada and Bangkok. Other Bollywood films which have focused around a similar concept are Masti, No Entry, Shaadi No. 1 and to a certain extent, Do Knot Disturb.

With Universal, Comcast hopes to make a big splash in movies

NEW YORK - As big banner ads in Times Square last week hyped Universal's hoped-for blockbuster Cowboys & Aliens, the movie studio's parent company, NBCUniversal, held a screening of the western sci-fi thriller at its private theater near Rockefeller Center.

There were wine and soda and hors d'oeuvres trays, and company officials billed the event as a thank-you for about two dozen reporters who cover

Hindi Movie - Thank you Part 1

NBCU. There was another message for the gathered media - that the famed Universal Pictures movie studio that had fallen on hard times in recent years is on a hot streak under its new owner, Comcast Corp.

With a surprising run of hits since April, Universal has moved to third in U.S. market share of box-office receipts this year after, as one insider called it, "a really bad run" in 2009 and ranking sixth of the eight largest U.S. studios for 2010.

A committed management team is responsible for these recent hit movies and several projects in the Universal pipeline that are being closely watched by Hollywood insiders as potential heavy hitters - among them, an animated version of the Dr. Seuss story The Lorax and Battleship, based on the Hasbro game, both set for release in 2012.

"They have reestablished their prominence as a movie house that can produce broad, crowd-pleasing entertainment," said Craig Detweiler, director of the Center for Entertainment, Media and Culture at Pepperdine University.

"It's a hit-driven business, so it is always impossible to predict. It's always a gamble. And you have to have patience for your bets to pay off."

Comcast, the Philadelphia cable company, acquired the Hollywood movie studio through its megadeal for NBCUniversal, the owner of cable channels and the NBC TV network. When the deal closed in January, many observers assumed that Comcast would not be interested in a sixth-ranked movie studio.

But Comcast said it was devoted to the film business and wooed Hollywood. In early May, Comcast chief executive officer Brian Roberts publicly courted film great Steven Spielberg with a fund-raising dinner in Philadelphia for Spielberg's Shoah Foundation, which records the memories of Holocaust survivors. Roberts has said he hopes he can persuade Spielberg to return to Universal.

A month later, Comcast agreed to pay $1 billion for a 50 percent stake in the Universal theme park in Florida - a business closely tied to films and Spielberg - that it did not already own.

The swift turnaround at Universal, though, cannot be attributed solely to the cable company.

Facing deepening financial losses under General Electric Co. in 2009, a new leadership team of Adam Fogelson, Donna Langley, and Rick Finkelstein was appointed to head Universal's moviemaking operation. This year's crop of movies, which includes one clunker, The Dilemma, is the first of their projects.

The movie operation reports to Ron Meyer, the president and chief operating officer of Universal Studios, which includes the movie business and the theme parks. Meyer's employment contract at Universal, set to expire in 2012, was recently extended to late 2015.

Some analysts say Universal's problems stemmed in part from GE's insistence on profit growth, forcing Universal to take big risks on movie projects with the hopes of earning big profits to replace revenue lost through lower DVD sales.

The new management team has tightened decision-making around movie projects. A movie has to satisfy three criteria before it receives an OK: Can it be great? Does it have an identifiable audience? Is there a rational business plan attached to the project? Meaning: Do potential profits exceed potential losses based on the past experiences with films of a similar genre?

Perhaps the most surprising of Universal's hit films this year has been Bridesmaids, an R-rated woman-centric comedy that has tallied $240 million in global sales since mid-May, easily covering production costs of $32.5 million.

Also profitable has been the fifth installment of the Fast and Furious movies. It has generated $603 million worldwide since late April - after costing about $125 million to produce. Realizing there was more horsepower in the franchise, Universal was quick to slate a sixth Fast and Furious. It is scheduled for release in 2013.

Then there's Cowboys & Aliens, starring Harrison Ford and Daniel Craig. It cost $163 million to produce. Universal has only a 25 percent financial stake, which will limit its exposure to either a flop or a blockbuster.

Connected with two of the biggest names in Hollywood, Steven Spielberg and Ron Howard, the two-hour movie opened Friday to mixed reviews. Universal's partners are DreamWorks and Paramount.

The movie's story line is one of evil aliens mining for gold out West and a cowboy determined to avenge the death of his wife - at the hands of those aliens. There are gunplay, humor, Indians, special effects, and a Hollywood-style happy ending. The studio hopes for an opening weekend with receipts around $40 million.

New corporate owners have regularly fallen in love with Hollywood studios, only to be disenchanted when profits did not materialize or they found movie audiences too fickle for their liking.

So far Hollywood has been pleasantly surprised with Comcast, but time will tell how committed the cable company is to the movie business, Detweiler said.

"Comcast has given a clear signal to the talent in Hollywood that Universal is an attractive place to bring your project," he said. "And in a town like Hollywood, built on relationships, that is an important message to communicate."

More from Thank You
Trailer
Photogallery
Photogallery
Official Website
Official Websi
Slapstick comedy with intermittent humour

Story: Bobby Deol, Suniel Shetty and Irrfan Khan are a trio of philandering husbands who don't think twice before being unfaithful to their wives, Sonam Kapoor, Celina Jaitley and Rimmi Sen. Enter marriage therapist, Akshay Kumar, who is determined to teach them a lesson and bring them back to the happy family fold.

Best Reader's Review
its a really very entertaining movie i saw after very long time. one must watch it as it ...Read more rohit shetty (GOLMAL 1, 2, 3) (mumbai)

Movie Review : Anees Bazmee seems to be re-visiting familiar terrain with his new film. Thank You is heavily inspired by his earlier comic caper, No Entry, where Salman Khan had the onerous task of curing a motley group of errant husbands from their chronic infidelity. This time, it is Akshay Kumar who wields the baton -- or is it the flute -- to underscore the sanctity of the institution of marriage. Is this a case of playing safe for the director who has recently burned his hands at the box office or is it a drought of story ideas that seems to be Bollywood's biggest scourge?

Repetition notwithstanding, Thank You ends up as timepass fare, although it isn't as rollicking as No Entry. The first half of the film seems to be an exercise in nothingness and has you fidgeting in your seat as you try to look for the rare laughs in a script that is supposed to be funny. The bit-on-the-side sequences of the three husbands are hardly hilarious nor does the fuming wives club set the screen ablaze with hysteria. It is only in the second half that the film acquires form and substance and has you grinning at certain goof-ups. Akshay Kumar's elaborate plans to set the three marriages straight provides scope for actors like Irrfan Khan and Suneil Shetty to kick up a bit of fun, although Bobby Deol has hardly any humour tailored into his role. By and large, he remains dour and angry as he begins to suspect his sweet wife Sonam of adultery. The girls, on their part, mostly remain cosmetic with Sonam looking terribly out of sync, Rimmi not being allowed to play her feisty self and Celina being forced to do the disappearing act for a large part of the film.

So what's funny about Thank You? It's the guys who reiterate the worn-out cliche that fidelity isn't an intrinsic part of male physiology. Add to this the high production values -- glitzy locales, jazzy styling -- and Pritam's pop numbers and you have a film that can be an average weekend getaway. Nothing more, not even Mallika Sherawat's item number.
Click Full Post.............

iase International Association of Special Education www.iase.org 2011

Click Full Post.............

Amole Gupte's Stanley Ka Dabba wins award at Giffoni Film Festival www.stanleykadabba.com IIM-B student turns dabbawala wife helps in venture

MUMBAO: It isn’t often that a film, specially an Indian film wins a humanitarian award at an international film festival. That’s exactly what Amole Gupte’s Stanley Ka Dabba has done. It has just won the special ActionAid award at the Giffoni Film Festival - the world’s largest children’s film festival where the jury this year comprised 3,300 kids and youngsters from 51 countries.

There were 145 films in the festival this year.

ActionAid is a world organization campaigning for a hunger-free world. It provides food to thousands of communities across the word.

In Stanley Ka Dabba, the theme of food for children was predominant and projected with bridled poignancy. Citing the reason for giving the award to Gupte’s film the ActionAid jury commented, “It’s not always easy to make people understand the connection between poverty and injustice so we found Stanley’s Tiffin Box (Stanley Ka Dabba) a fantastic tool to speak out about discrimination and the need to go ahead with the struggle against hunger. With this award we want to pay a tribute to Amole Gupte’s work, who linked the movie project with a special work with children, the real protagonists of the film and for the efforts spent to promote children’s rights and adolescents in India.”

Gupte feels it’s a triumph for cinema on children in India and for his work with and for children. Gupte, who was closely involved with another important Hindi film about children Taare Zameen Par, feels more of the A-listers in Bollywood need to support children’s films.

Gupte tells Businessofcinema.com, "When I see someone like Salman Khan pitching in for a children’s film like Chillar Party, my heart swells with pride. More power to the Aamirs and Salmans of showbiz. They can make a difference to how children’s film’s are perceived."

New children's films are fun for adults as well

By Radhika Bhirani

New Delhi, July 25 (IANS) Think of children's movies and animated characters come to mind. But all that appears to be changing. With projects like "Chillar Party" and "Stanley Ka Dabba", filmmakers are attempting to change the definition of the genre through light-hearted yet mature content, packaged to appeal to a wider family audience.

But some feel that children's films should be only for their entertainment.

"It's important to create a balance with a film that cuts through every kind of audience - children and adults. A film about children can be for the children and be entertaining for a family too," Shikha Kapur, senior vice president and head (marketing), UTV Motion Pictures, told IANS.

A lot depends on the marketing of a film too.

"A film, most often, finds its target audience on its own through word-of-mouth publicity. It's the marketing which makes a difference. The marketing mix of 'Chillar Party' was like a typical Bollywood masala film. Hence, it appealed to a lot more people than just children," added Kapur.

In the last decade, filmmakers tried to lure kids with animation projects like "My Friend Ganesha", "Bal Ganesh", "Hanuman", "Hanuman Returns" and "Ghatothkach".

But more recently, filmmakers have attempted to sell issue-based movies with children as protagonists, as kids' films.

For instance, UTV Spotboy and Salman Khan's co-production "Chillar Party", a story about a gang of innocent children who stand up against a politician and save a street dog's life, tugged at many hearts. While children enjoyed it for its fun moments, adults liked it too for its message on the class differences in Indian society.

The film also had a commercial flavour thanks to Salman's association, Ranbir Kapoor's 'tapori' item number "Tai tai phish" and multiple brand tie-ups - which helped it in drawing a wider audience.

Earlier releases like "Taare Zameen Par", "Stanley Ka Dabba", "Kachha Limboo", or even Kannada movie "Hejjegalu" that won the national award for best children's film, had an underlying message tucked under the innocence and playfulness of children.

Aamir Khan's "Taare Zameen Par" deals with a dyslexic child, "Stanley Ka Dabba" takes a sensitive look at teacher-student relationship and "Kachcha Limboo" narrates the story of a 13-year-old caught in a transitional phase of adolescence. "Hejjegalu" is about a young girl, who fights poverty and an irresponsible father to become a role model to other children.

However, there is a school of thought that stresses on "just for kids" films without a serious sub-plot.

Actress Nandita Das, chairperson of Children's Film Society, India (CFSI), feels there is a need to make films just for kids.

"The producers, of course, want as many eyeballs they can get. But how can the same story and sensibility be for a six-year-old and a 60-year-old? I do think there is a need to make films specially for children to cater to their needs and aspirations," Nandita told IANS.

In her review for "Stanley Ka Dabba", film critic Shubha Shetty-Saha, also supported light films for children.

"While child labour is a pressing and immediate issue, a child need not be burdened with such an issue, while watching a film made for him or her. Even if they want to, they can't do anything about it. Why can't a children's movie be just that, without tagging a social issue along with it?" she wrote.

But how would one define an ideal children's film?

"A film that connects with the spirit of hope, curiosity, adventure and imagination that children instinctively have. A film that is neither preachy nor frothy and shallow. A film that can subtly equip children to understand the world they live in, but with lightness, optimism and joy," said Nandita.

Though India is one of the largest film-producing nations in the world, filmmakers have hardly attempted to make children-centric films.

In the past, films like "Masoom", "Boot Polish", "Safed Haathi", "Anjali" and "Makdee" have been made to cater to the kids, but they have "never been a priority", said Nandita.

To combat the problem, CFSI was launched in 1955. The aim was to produce, exhibit and distribute entertaining and enriching content for children. But it suffered from a lack of marketing budget.

However, it has new plans now, she said.

"We at CFSI are trying to see how we can market our films, both through conventional methods and by thinking out of the box. You will soon hear about some really good films that we have been working on in the last two years," said Nandita, who took over as CFSI chief in 2009.

Either it is fun film for children or the issue-based; the best part is that efforts are being made to make children films, which was a far cry a few years back.



IIM-B student turns dabbawala, wife helps in venture


BANGALORE: This is not Stanley ka Dabba, but the dabba of a young Bangalore entrepreneur. You wouldn't associate a humble tiffin service with a student of the prestigious Indian Institute of Management, Bangalore. But if you are a Mumbaikar getting dabbas, then you would have tasted Dinesh ka dabba.

Dinesh Yadav, 35, a second-year PGP student at IIM-B, started his enterprise on Mira Road, Mumbai, in June. Lunch and dinner are provided in and around the road in tiffin boxes by their delivery boys. Lunch is also sent through Mumbai Dabbawalas to any part of the city, preferably on the western line of Mumbai.

What motivated him? It was during his summer internship in Bangalore when he was stuck in hostel with no mess that Dinesh realized the potential of running a dabba centre with home-cooked food. "There's a lot of demand for hygienic, home-cooked food that is not overpriced.


I had done an informal survey before jumping into it," said the NIT-Bhopal alumnus.

Dinesh handles the strategy, marketing and online support for the business from IIM-B campus, while his wife Rekha handles the operation in Mumbai.

With two cooks, two persons for delivery and another helper, Rekha looks after the cooking.

"I maintain the website. The queries come to me here. Everybody has a specific need when it comes to food and it varies with each meal. I consolidate that and send the final order to my wife. I wanted her to focus only on one area," he says.

Ask how he manages studies and work, he says, "If you are interested in something, anything is possible. Since I am in second year now, I have only two classes a day and lots of time to manage the business."

Dinesh's one-month-old business caters to 35 customers now. "There's a kind of confidence you get from being in a place like IIM. I understand consumer behaviour, pricing and other business management skills through my lessons.

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